All artwork is printed on Fine Art Exhibition paper with archival inkjet pigment and hand cut to size. Only the finest quality professional grade materials are used to ensure the highest quality product that will stand the test of time. All prints are signed by Edwin Datoc
In the late-1920s, as New York’s economy boomed like never before, builders were in a mad dash to erect the world’s largest skyscraper. The main competition was between 40 Wall Street’s Bank of Manhattan building and the Chrysler Building, an elaborate Art Deco structure conceived by car mogul Walter Chrysler as a “monument to me.” Both towers tried to best each other by adding more floors to their design, and the race really heated up in August 1929, when General Motors executive John J. Raskob and former New York Governor Al Smith announced plans for the Empire State Building.
Of the more than 90 movies featuring the Empire State Building, none is more famous than 1933’s “King Kong,” which ends with the titular giant ape scaling the skyscraper and being attacked by swarming biplanes. The original scene was shot in a studio, but for the film’s 50th anniversary in April 1983, a balloon company president tried to recreate it by attaching a inflatable King Kong to the Empire State’s mooring mast. Unfortunately, the $150,000 stunt didn’t go as planned. The 84-foot Kong balloon suffered a tear while being inflated, ruining a plan to have it buzzed by vintage aircraft. It was finally inflated a few days later, but it only stayed on the building for a short time before another rip forced the project to be scrapped altogether.